
Aertgen van Leyden
1498–1564 · Dutch Renaissance painter, draughtsman and stained-glass designer
Aertgen Claesz. van Leyden (Leiden, c. 1498 - Leiden, 1564) was a Dutch Renaissance painter, draughtsman and designer of stained glass. The son of a weaver, he is recorded as an apprentice of Cornelis Engebrechtsz. in 1516, and appears in the Leiden city records as a painter from 1521 until his death. His importance lies in the variety of his output and in the difficulty of identifying his work with certainty.
Karel van Mander reported that, besides oil painting, he supplied hundreds of designs for stained-glass windows. His early pictures reflect his teacher Engebrechtsz., while later ones absorb the influence of Jan van Scorel, Maarten van Heemskerck, Frans Floris and Lucas van Leyden, with whom he is sometimes confused. He probably travelled to Germany before 1530, where he may have met Hans Baldung Grien.
Because his style changed so much, many of his paintings were long credited to other artists. Only the discovery in the late 1960s of the Last Judgment triptych in Valenciennes, painted in 1555 for the Montfoort family, allowed scholars to reconstruct his manner tentatively and assign him a small group of works, including The Calling of St Anthony in the Rijksmuseum, Amsterdam, and possibly a fragment of The Temptation of Saint Anthony in Brussels, linked to a portrait of a donor in the Thyssen-Bornemisza Museum.
Works (4)

Painted on panel in 1549 by Aertgen Claesz. van Leyden, a Dutch Renaissance artist, this triptych is now held at the Royal Museum of Fine Arts Antwerp. Its title points to Count Henry III of Nassau, probably linked to a commission or to his figure, though little is known about the scene depicted. It is classed as religious art, a subject common on altarpieces of the period.

The panel shows the raising of Lazarus of Bethany, with Saint James the Great and a donor among the figures. Attribution is to Aertgen Claesz. van Leyden, yet the date given, 1630, falls long after the painter's lifetime, so both should be treated with caution.

This panel by Aertgen Claesz. van Leyden, dated 1550, depicts the Nativity in a night-time scene with an angel. As a religious painting, its interest lies in the night setting and the Christ Child at the centre of the composition. Details about its commission or original context are not reliably documented.

Dated 1536, this painting depicts the Adoration of the Magi, a subject widely treated in religious art. It is attributed to Aertgen Claesz. van Leyden and is held by the Kaiser Wilhelm Museum. The available records do not say who commissioned it or explain further details of its composition, so the scene itself is the best starting point. Visitors seeking more background can check the museum's catalogue.
Where to see the work
- Royal Museum of Fine Arts Antwerp Antwerp · 1
- Rijksmuseum Amsterdam · 1
- Louvre Museum Paris · 1
- Kaiser Wilhelm Museum Krefeld · 1
Teachers and pupils
Studied with
- Cornelis Engebrechtsz. 1468–1527