Keith Milow (born 1945) is a British artist who works across sculpture, painting and printmaking within abstract art. He grew up in Baldock and lived in London, New York and Amsterdam before returning to London. He trained at Camberwell and the Royal College of Art, and in the 1970s he was regarded as part of the British avant-garde.
His work centres on the Latin cross, which led to several hundred cross sculptures and drawings. In the 1990s he made series of disc-shaped sculptures, known as tondi, paying tribute to the great artists of the 20th century, and many of his paintings from this period include the names of artists from his personal canon. Some works show a mathematical precision that looks computer-generated, and several respond directly to Piet Mondrian.
He received the Calouste Gulbenkian Foundation Award (1976) and the Arts Council of Great Britain Major Award (1979). His works are held in collections such as those of Tate and the Museum of Modern Art in New York. The art historian Jo Melvin places him among those who helped blur the boundary between painting and sculpture in British art.