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Portrait of Martinus Rørbye
Image: Wikimedia Commons

Martinus Rørbye

1803–1848 · Danish genre painter of the Golden Age

Romanticism and RealismDanish Golden Age

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Martinus Rørbye (Drammen, Norway, 1803 - Copenhagen, 1848) was a Danish genre painter and one of the central figures of the Danish Golden Age. His family returned to Denmark when he was twelve, shortly after the two countries separated in 1814. He entered the Royal Danish Academy of Fine Arts in 1820, studying under Christian August Lorentzen and Christoffer Wilhelm Eckersberg, with whom he worked closely. From them he took a sense of detail and an emphasis on colour.

From 1824 he exhibited at Charlottenborg Palace, and his submissions, many of them prizewinning, continued until 1848. In the 1820s he painted views of Copenhagen and Zealand as well as portraits. His View from the Artist's Window (c. 1825) anticipates his later travels: a caged bird beside an open window sits between the safety of the family home and the wide world suggested by a moored ship.

In the 1830s he travelled to Norway, where he painted landscapes under the influence of Johan Christian Dahl and Caspar David Friedrich, and toured Jutland. He visited Skagen three times between 1833 and 1848, painting fishermen and the North Sea coast. He went to Paris, Rome, Sorrento, Sicily, Athens and Constantinople, producing countless drawings of what he saw. His orientalist scenes brought him attention. In 1837 the Academy asked him for an orientalist work as part of his membership application, and Caravan near Smyrna, finished in 1838, was received unanimously. That same year he married Rose Frederikke Schiøtt.

His health declined in 1839 and he spent time in Italy, where he painted the Square in Amalfi. In 1844 he became a professor at the Academy, and that year he travelled to Sweden. He died in Copenhagen in 1848, leaving his young widow with several small children. Several of his works were shown posthumously. His legacy lies mainly in his scenes of everyday life and travel views, and in having taught Christen Dalsgaard.

Works (9)

View from the Artist's Window
View from the Artist's Window1825Statens Museum for Kunst
Men of Skagen on a Summer Evening in Fair Weather
Men of Skagen on a Summer Evening in Fair Weather1848Statens Museum for Kunst
A ship on the beach of Skagen
A ship on the beach of Skagen1847Louvre Museum
The Prison of Copenhagen
The Prison of Copenhagen1831Statens Museum for Kunst
The Beach at Skagen Vesterby
The Beach at Skagen Vesterby1847Nivaagaard Museum

An oil on canvas from 1847 by the Danish painter Martinus Rørbye, belonging to the Danish Golden Age and to the marine genre. It shows a beach at Skagen with a sailing boat, piles of peat near the shoreline, a man and a wreck, under a cloudy sky. The record offers no further details about its commission or reception, so it is best to stick to what the scene itself shows.

Entrance to an Inn in the Praestegarden at Hillested
Entrance to an Inn in the Praestegarden at Hillested1844Los Angeles County Museum of Art
View of the Square in Amalfi
View of the Square in Amalfi1835Statens Museum for Kunst

A view of the square in Amalfi, painted by the Danish artist Martinus Rørbye in 1835 in oil on paper. It shows the façade of the Cathedral of Saint Andrew the Apostle, with its steps and the activity of the square. Made within the Danish Golden Age, the work stands out for its attention to Mediterranean light and to the careful rendering of architecture and street life.

Young Clergyman Reading
Young Clergyman Reading1836Art Institute of Chicago

Painted in 1836 by Martinus Rørbye, this small oil on canvas shows a young clergyman absorbed in his reading. It belongs to the Danish Golden Age, and its blend of portrait and genre scene invites a quiet look at the figure's focused posture. No further details about its commission or history are recorded.

Loggia, Procida
Loggia, Procida1835Nationalmuseum

This small oil on paper was painted in 1835 by Martinus Rørbye, a painter of the Danish Golden Age, and shows a loggia on the island of Procida, in the Bay of Naples. The scene brings together a tree, a house and a boat, with a calm atmosphere typical of the Mediterranean landscapes that drew northern artists of the period. Being a study on paper, it keeps a direct, fresh handling of paint.

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