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Irises screen

Ogata Kōrin

Irises screen, Ogata Kōrin
Image: Wikimedia Commons

This six-panel folding screen pair by Ōgata Kōrin belongs to the Rinpa school and is probably dated to around 1701-1705, during the flourishing of luxury culture known as Genroku in the Edo period. Its subject is the Japanese iris, Iris laevigata, rendered in an almost abstract way: clusters of blue blooms and green foliage that repeat with a rhythm yet vary from panel to panel. The palette is deliberately restrained, limited to ultramarine blue, green and a gold ground, with gold leaf squares placed around the painted areas so the surface shimmers and suggests water. The deep blue comes from powdered azurite. Similarities between some flowers suggest a stencil was used. The screens draw on an episode of The Tales of Ise, in which a poem built on the opening syllables of the flower's name is the central motif. Kōrin painted them shortly after reaching the rank of Hokkyō, and the work is thought to show the influence of Tawaraya Sōtatsu. Copies of these screens are believed to have influenced Vincent van Gogh's own irises.

Painter
Ogata Kōrin
Museum
Nezu Museum, Tokyo
Movement
Rimpa school
Depicts
Iris laevigata

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Waves at Matsushima
Waves at Matsushima1800Museum of Fine Arts Boston
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Irises at Yatsuhashi (Eight Bridges)1700Metropolitan Museum of Art